“Total album sales in this past chart week (ending Sept. 12, 2010) totaled 4.8 million unit—the lowest weekly sales figure since SoundScan began tracking sales in 1991.”
It’s also only the second time the weekly album sales total has dipped below 5 million. Back in the record label hay day, the highest one-week album tally recorded during the Soundscan era was 900% higher at 45.4 million albums, in late December 2000.
Though album sales are in decline, general music sales are substantially higher than their past. Music sales exceeded 65 million in the final week of 2008, representing the biggest sales week in the history of Nielsen Soundscan. Therefore, it’s not that people aren’t buying music, people simply aren’t buying albums. Digital sales, ringtones, and singles continue to increase. Even vinyl sales are at a high from the inception of Soundscan in 1991, selling about 2 million copies in 2009.
Album sales at Non-Traditional music outlets (digital, internet, mail order, venue, non-traditional retailers) hit an all-time high in 2009 with sales reaching 110 million. Non-Traditional is the only strata that experienced album growth over the previous year; with an increase of 11% over 2008, and accounting for nearly 10% of overall music sales in 2009. The increase here can be attributed to a disconnect from major labels. More artists and independent companies are finding ways to bypass major label guidelines.
In 1999, The RIAA added a Diamond Award Sales Certification for 10 million sales. Back in 1999, albums were actually selling 10 million copies. One of the latest albums to be certified Diamond is Outkast’s Speakerboxxx/The Love Below, however; because the album was a double disc, each album was counted twice, thus only 5.5 million copies of the full album were actually sold.
Is a major label necessary to have an album chart? Vampire Weekend and Arcade Fire both were number one on the Billboard charts in 2010, both are signed to Independent Labels. VW’s Contra (released on XL Recordings home of MIA, The xx, The Cool Kids, and Sigur Ros) sold 124,000 copies in its first week. It must be noted that it was the only new release of the week in the Top 10.
When it comes to independent, there’s also the other side of the spectrum. Only 2,050 (or 2.1%) of 2009’s 97,751 new albums Sold Over 5,000 Units. With the internet, bands can cater to a much smaller niche audience, and may have other outlets to which they sell music that is not registered on Soundscan. In addition to those options, an artist may choose to release a record free of charge or sell the album through their own website and DIY shows. If you think about it, many bands have sold well over 5000 copies of their album during a summer stretch following Warped Tour, however; those numbers were never scanned.
Sales data from cash registers is collected from 14,000 retail, mass merchant, and non-traditional (on-line stores, venues, digital music services, etc.) outlets in the United States and Canada. The requirements for reporting sales to Nielsen Soundscan are that your store has Internet access and a Point Of Sales (POS) Inventory System (a way to scan the bar codes of the products you sell). A simple text file, consisting of all the UPC’s sold and the quantities per UPC on a weekly basis is all that is required for submitting sales to Nielson. Because some retailers choose not to use Soundscan, sales from certain participating outlets are “weighted,” thus a single CD bought may be worth three on the charts.
Sales that occurred at churches, libraries, YMCAs, malls, campgrounds, public and private schools, offices, lawn and house concerts are all ineligible venue sites, thus will not be processed by Nielson. Purchases made by one individual in bulk for redistribution or gifts are also ineligible venue sales and therefore will not be processed. With these stringent guidelines, even if a band sells albums at many of their shows, most of the venues will not be eligible for Soundscans, unless the band is signed to a label that is registered. When bands do play at eligible venues, the sale numbers are often inflated because nothing needs to be “scanned” at the venues.
With all these issues, guidelines, and possible methods of fraud, a far more important question is, how relevant are Soundscans to the independent music world? On one hand, it may be difficult to get your album scanned, but it’s becoming easier and easier for bands to chart on everything from the Top 200 to the Heatseekers charts. A few thousand sales can put a band into public spotlight (if they’re the lucky 2.1%). What seems to be much more important now, though, are iTunes and other digital format figures. Digital seems to almost level the playing field for nearly every artist. Will these sales charts become more relevant to the major label than the physical charts?
Business Wire The Nielsen Company Year-End Music Industry Report